A Pentagon funded study reported upon by Joel Brinkley in the The San Francisco Chronicle a professor of journalism at Stanford University and a former Pulitzer Prize-winning foreign correspondent for the New York Times, entitled Afghanistan’s dirty little secret :-

Western forces fighting in southern Afghanistan had a problem. Too often, soldiers on patrol passed an older man walking hand-in-hand with a pretty young boy. Their behavior suggested he was not the boy’s father. Then, British soldiers found that young Afghan men were actually trying to “touch and fondle them,” military investigator AnnaMaria Cardinalli told me. “The soldiers didn’t understand.” All of this was so disconcerting that the Defense Department hired Cardinalli, a social scientist, to examine this mystery. Her report, “Pashtun Sexuality,” startled not even one Afghan. But Western forces were shocked – and repulsed.

John Cook at The Upshot, a Yahoo News blog reporting on how the Pentagon didn’t investigate hundreds of purchases of child pornography by its personnel:-

But new Project Flicker investigative reports obtained by The Upshot through the Freedom of Information Act, which you can read here, show that DCIS investigators identified 264 Defense employees or contractors who had purchased child pornography online. Astonishingly, nine of those had “Top Secret Sensitive Compartmentalized Information” security clearances, meaning they had access to the nation’s most sensitive secrets. All told, 76 of the individuals had Secret or higher clearances. But DCIS investigated only 52 of the suspects, and just 10 were ever charged with viewing or purchasing child pornography. Without greater public disclosure of how these cases wound down, it’s impossible to know how or whether any of the names listed in the Project Flicker papers came in for additional scrutiny. It’s conceivable that some of them were picked up by local law enforcement, but it seems likely that most of the people flagged by the investigation did not have their military careers disrupted in the context of the DCIS inquiry.

RAWA post an IPS report by Gareth Porter-

The strategy of the major U.S. and British military offensive in Afghanistan’s Helmand province aimed at wresting it from the Taliban is based on bringing back Afghan army and police to maintain permanent control of the population, so the foreign forces can move on to another insurgent stronghold.

But that strategy poses an acute problem: The police in the province, who are linked to the local warlord, have committed systematic abuses against the population, including the abduction and rape of pre-teen boys, according to village elders who met with British officers.

Anger over those police abuses runs so high that the elders in Babaji just north of Laskgar Gah warned the British that they would support the Taliban to get rid of them if the national police were allowed to return to the area, according to a Jul. 12 report by Reuters correspondent Peter Graff.

Afghans are not a monolithic entity that endorse child rape and the casual reader of Pentagon funded studies who might infer that they are, are probably not aware (as the report on the military funded study was in a mass circulation newspaper but the Pentagon’s cover up was on a blog) of the Pentagon’s lack of action on paedophiles within their -sometimes elite- ranks. This is not to say either ‘side’ do not have great problems (cultural or otherwise), but in war the homeland’s transgressions are minimised while the target’s are emphasised and subsequently opinions of people in the protagonist nations regarding themselves as informed, independent & sophisticated follow accordingly. A larger scale, higher stakes and slightly more sophisticated version of a tabloid  ’Get the Paedo’ campaign thus bolsters arguments in favour of government pro-war policy couched in a critique of policy priorities, yet as the final extract shows, the difference between humanitarian arguments funded by the military with the imprimatur of a distinguished journalism professor intended for consumption by domestic audiences and what actually happens on the ground are two entirely different things. One might expect awareness of such a basic and common dissonance during wartime to be axiomatic to the informed, independent & sophisticated person with centuries of imperial, economic and political history to learn from, but apparently not.

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I needed a small sealable water tight container, by habit that used to almost always mean a 35mm still film canister, I used to have so many empty ones as one does shooting film. But…I realised although my Nikon sits on the shelf and the fridge still has many films in it, I hardly ever use film and that the usefulness of a small container outweighed the value of the unused film inside it (which I still have it just has to be a container orphan). Digital gubbins has devalued my film. Now, should I react and bloody mindedly shoot some film? Seems a rather sparse reason, more an excuse than something that could be coolly conceptually justified. But then I do not like justifying stuff with Tradition (or just reaction)… when all people really mean is- they feel better doing stuff, using stuff they are accustomed to (still doesn’t work for fox hunting though, that’s a hobby based around cruelty period, like a dinner party where at some point all the guests club a seal). Which is fine as a reason but I think Tradition is to disguise such human cosyness, its how repressed feelings are expressed, attachments and survival of loss, but also fear of the new is denied. As such it is only half way bearable for me. Much as chumps go on about film being superior to digital, they are both tools, relax. I don’t trust anyone who tribally sticks to one, but it must be observed that old skool filmists (or vinylists) are fetishists cutting off their nose to spite their face. Also there’s money involved too, costs a frig of a lot more to shoot at a high ratio on film, so is the traditionalist also wary of a democratising that cheap tech can bring. After all it is always easier for the children of the upper class to conflate their noodlings into ‘art’ (as well as the time and space wealth allows to pursue one’s ambitions, why do they despise me? The hipster/trustafarian ponders). So I am always suspicious when a great & good person waxes rhapsodically about some pricey tradition of production being superior in some non-specific supranatural romanticised way. Just admit the truth- you like it, and that’s all that is needed, it doesn’t have to be better than anything else, this is how you roll, and respect to others and how they roll. Assuming you have greater knowledge and therefore your judgement is sounder absent of evidence or query is rarely the hallmark of an interesting or talented person.

I am trying a staycation, can you tell?

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